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By: Ingrid Sjostrand

WE’RE JUST HUGE FANS OF MUSIC, ART AND DETROIT, and we’re trying to capture and document an exciting time in our local culture scene,” says Kristi Billings, videographer and editor, describing The Milo Show – a collaborative project between her, host Jeff Milo and sound engineer Chad Stocker.

The Milo Show is a monthly talk show exploring Metro-Detroit’s music scene through interviews and performances by local artists at changing venues. Milo is no stranger to the music industry; he has over 13 years of experience as a freelance music reporter, working for the Metro Times, the Detroit Free Press and, of course, Ferndale Friends. So, when friend, and lead singer of rock quintet The High Strung, Josh Malerman suggested Milo star in his own TV show, it seemed right.

“The concept was initially: Let’s have Jeff just do what he’s always been doing – documenting local culture and conducting dialogues with local artists –only now, on camera,” Milo explains. “But it became an opportunity to provide a panoramic view of Detroit’s arts community…”
Malerman originally planned to produce the project, having just completed his own feature film, but was called to a book tour for his debut novel Bird Box. This is when Billings stepped in, despite having little experience with video editing.

“I purchased some editing software, received some helpful tips from friends, and managed to put together a not-too-shabby first episode,” she says. “Everyone was so pleased with the result it was de-cided I would take over the filming/editing reigns full time.”

The first episode, released in September 2015, was filmed at Berkley Music and featured Kriss Gaynes, Junglefowl, Robert St. Mary and Eleanora as guests. By episode four, Stocker joined as their sound engineer and, as of May 2017, they have produced 18 episodes.

Episodes are approximately 30 minutes and re-leased on the first of the month. The trio has mastered filming the whole show in one day, followed by two weeks for Stocker to mix audio and the rest of the month for Billings to create the final product.

“The tapings are relatively quick considering, for example, Episode 17 had two interviews in two lo-cations, and 3 musical performances each on the stage at Ant Hall. We completed all the staging, tap-ing, and tear down, in about six hours,” Stocker says.

One challenging aspect of filming can be the unique locations and trying to highlight so much of the city.
“One time we filmed in a space that was almost the size of a bedroom – and we still fit six or seven people in there, plus a drum kit!” Milo exclaims. “The bigger goal is to start emphasizing that this is a pop-up talk show, that is traveling around the city each month, collaborating with different venues, so by watching a season of episodes – you still get to see a lot of the city.”

When it comes to choosing artists and guests, Milo says there are no limits. They have had artists from every genre except country, which he says will likely be featured in the next few months.
“Just seeking out people I know will provide an enticing and thought-provoking conversation, as well as call out bands that I see have new albums or singles being released in the near future,” he says. “I’ve also spoken with bloggers, archivists, fashion designers.

Plans for the show are endless, says Milo, maybe even crowd-funding campaigns or increasing the number of episodes per month.

“We want to venture into bolder, stranger, more elegant, more unconventional venues. We want Jack White to come on our show for a chat!” he says.

“We want to do experimental things, like interview in moving cars. We want to try anything, really.”
This is with the caveat that all three agree on the direction of the show. As a resounding theme among the trio, they truly enjoyed working together and creating the Milo Show.

“I get to collaborate with two optimistic, intelligent, and creative people in Kristi and Jeff,” Stocker raves.
“Honestly – I love that I get to work with my friends. I love that we interview interesting people doing interesting things to make this city shine,” Billings relishes.

“My favorite things are the magic that Kristi conjures with her editing, Chad’s exceptional mixing, coupled with his piquant humor and dry wit quipped be-tween takes,” Milo closes. “I hate to say something cheesy like: We’d still be making this even if no one was watching. But it’s true…. That said, we hope more people start watching!”

For more information or past episodes, visit their web site, themiloshow.wordpress.com.

 

Story by Sara E Teller
Photos by Bernie LaFramboise

THE RICHARD GAGE DESIGN STUDIO WAS ESTABLISHED TO OFFER a wide variety of art services to the City of Hazel Park and the community at large, including to “fabricate difficult or unique decorative architectural elements and sculpture with hand-craftsmanship using contemporary and historic techniques,” according to owner Richard Gage. “We work with architects, municipalities, developers, planners, designers and homeowners.”

Gage lives in Royal Oak, and has been local to the area for more than 50 years. The Richard Gage Design Studio has been in business since the late ‘90s. “I came to Hazel Park in 2000 because the City was eager to embrace new business and was interested in working with creative small business addressing their needs, wants, and desires,” Richard explained. He felt this was the perfect opportunity to show the City what he was made of. “Although involved in the creative process all my life, it wasn’t until the early ‘90s that I went full-time into the decorative arts.”

“Over the years, I have helped other artists and builders by offering access to my larger equipment, space and expertise,” Richard said, citing several artists who have taken advantage of what the Design Studio has to offer, including Mark Belchenco Studio, Lamia Metal and Alex Drew. Richard also mentioned that the Henry Ford Estate in Dearborn sought out his artistry for historical repair and replacement of the copper roof on their Rose Garden Tea House as well as iron work in the main house.

Gage, who was a technical consultant for Kresge’s community artist program, believes his architectural work has been significantly influenced by “historic standards, classic proportions and timeless craftsmanship…I admire the clean lines of George Nelson as well as the organic simplicity of George Nakashima,” he explained, adding, “My sculpture is heavily influenced by the smallest parts of nature and typically executed on a grand scale, such as Petal Parts in John R’s Art Park and Winter Wheat in David’s Gold Medal Sports.”

The Design Studio is well-versed in creating a wide range of artwork, featuring varying techniques and for all different purposes. Even when presented with a concept that includes more a “loose or random” appearance – basically some-thing not necessarily well-defined – Gage and his team can produce it. “I’ve produced gates and railings in modern Frank Lloyd Wright style as well as in the decorative Victorian Era,” he said. “I’ve recently been exploring homages to experimental art such as The Ant Farm by Paul Clark, and works produced by Piero Manzoni and Andy Warhol.”

Because of their “wide variety of skills, (the team does) simple functional things mostly for homeowners but builders, too,” said Richard. Some examples of more ‘everyday’ tasks his team has taken on include bending a piece of aluminum trim that is no longer available, repairing vintage brass toilet levers, restoring a stainless pot for canning and fixing some garden tools. “We (fixed the tools) for an elderly local, and got flowers for the rest of the summer!”

The design team keeps very busy throughout the year and Richard takes pride in the ability to be presented with new challenges every day. “Every day I have some new challenge to resolve. Today I am working on how to best wire a sign for a Detroit business. Yesterday, it was how to make a jig to accurately cut ceramic tile for a miter corner.”

Gage established The Hazel Park Arts Council along with a few other locals, including Jan Parisi, Ed Klobucher, and Jeff Shelly, and became the Council’s Treasurer. The Arts Council, according to its site, “is committed to furthering artistic and cultural initiatives…through a number of avenues, including advo-cating local artistic initiatives…collaborating with the Hazel Park Arts Fair.” He also worked on The Art Park on John R as well as the first art fair and the Phoenix Mural. “Working on the Arts Council is great because of the people –smart people offer smart discussions. Amy Aubry and Allissa Sullivan, and all our members are invested in Hazel Park’s future and that shows during our meetings,” Gage said.

The Design Studio’s growth has been made possible over the years by its reputation within the community. “My business growth is solely attributed to word of mouth and some public sculptures, such as Pollen Release in Royal Oak and Bent Brush in Ferndale,” Gage explained. “I also have signs with my contact information.”

He hopes community patrons will appreciate all art that is displayed in and around town and always appreciates feedback related to his team’s work. “Add comments through Facebook about our efforts,” he mentions as way to express appreciation. “Stop by the Farmers’ Market for our kids’ booth and buy a t-shirt, donate money there or at the City.” The studio is private, but anyone is welcome to stop by and take a look around or inquire about a project. Gage can be contacted at 248.541.7730.

Story By: Ingrid Sjostrand
Photos By: Bernie LaFramboise

PICTURE A RESTAURANT WITH A ROTATING MENU of exotic cuisine made mostly in a barbeque smoker, and to top it off it’s based out of a food truck. That’s just one of the twists that give Rogue Estate BBQ an edge over the trend of food trucks in Ferndale.

Another defining quality is that it’s a food truck that doesn’t travel. Owner Bob Perye got tired of moving between locations, the lack of a consistent crowd and the wear on his equipment, so when he parked his truck at the corner of Woodward Heights and Gainsboro St. two years ago he decided to never leave.

“It was right around the time that 9 Mile went under construction, so it was kind of good timing,” he says. “And it’s been great, I love this neighbor-hood. Everyone in this neighborhood has been supportive.”

The block seems to be growing around Rogue Estate too, with UrbanRest Brewing Company and butcher shop Farm Field Table opening in the last two years and bringing additional business to the area.
Perye doesn’t have the typical chef backstory either he didn’t go to culinary school or work in restaurants building his way up to opening Rogue Estate. Surprisingly, he spent the majority of his career as a computer engineer. “I did engineering for 20 years and was always on a call, always had multiple phones and pagers and I was getting burned out,” Perye says.

After trying a change in companies without relief, he knew it was time for a career switch, but it wasn’t as easy as trading in the computer for a smoker. Prior to leaving his job, he started the Rogue Estate cooking club with a few friends.

“We started cooking every week; that went for a while and it was a lot of fun,” he says. “We did a lot of cool stuff, and the gist of it was that you guys can do this too, anybody can tackle this complex stuff.”

Once word got around about Perye’s skills in the kitchen, he began catering events like B. Nektar Meadery’s annual party and various veterans benefits. As his reputation grew, Perye found the confidence to take the leap and open Rogue Estate BBQ.

While he doesn’t miss working in computer engineering, Perye says he is still using those skills every day, whether it’s troubleshooting the sales system in extreme weather or repairing the truck, and he’s happy to share his skills with his neighbors. “I don’t just cook, it’s fun and keeps it interesting,” he says.

After refining and perfecting the classics – like pulled pork, ribs and beef brisket – he set out to explore the fare of the world and seems to have found his creative calling.

“I started dabbling into the Rogue Estate premise that we’re cooking something from another part of the world every week,” Perye says. “It’s fun to do the research, I watch Anthony Bourdain and I’ll see a country I’ve never heard of or a combination of flavors, and I have to try that.”

The standard barbeque options are always on the menu and typically sell out as favorites among regulars, but Perye wanted to keep things interesting, so he began exploring international cuisine as a daily special.
“There’s this entire other group of people, new customers and repeat customers alike that are here for the special and they get that every day because it’s different every day,” he says. “It makes me a better cook and keeps the guests interested.”

The secret to knowing what culture is being featured each day are the flags Peyre has hanging around the fencing of his lot. He started by hanging flags of things he liked or had an affiliation to and it grew with the international menu.

“The flags were just a natural grab of attention. I thought I’m gonna get a flag for whatever the first culture was. Now Amazon gets about five or ten bucks from me buying new flags each week,” Perye says.
Currently Rogue Estate is open Thursday through Saturday from 3:00 P.M. to 7:30 P.M. year-round. Perye hopes to expand hours in the near future, but is working with a staff of only himself and two employees and understands the realities of cooking with a smoker.

“The brisket takes 12 hours minimum, sometimes 14, so when we’re out we are out,” he says. “We can only sell so many in a four-to-five-hour period.”

This isn’t stopping Perye from planning ahead though, and he has no intentions of leaving the space he parked in two years ago.

“I love this neighborhood – the regulars, my guests and my neighbors – The folks that have been here for 40 years and the new neighbors – it’s great to be part of this,” he says.
“The dream is to have our own restaurant and I think that’s when you’ve finally made it.

I’m not beholden to this giant box on wheels, I think I would like to get a building and then sell that on to the next guy that wants to get started.”

Photo and story by Kevin Alan Lamb

NO MATTER YOUR TRADE OR PASSION, all roads leading in the direction towards progress are paved with fear, frustration, and doubt. The secret you see – finding something inside of you that no one can take away – something that is yours, God-given, but man-made, and hold onto it. Be driven by faith in your abilities and efforts, and find a way to remind yourself of the vision no matter the breakdowns and pit stops along the way.

Creative careers will never stop testing you; that is why they are the most beautiful and satisfying. The life of an actor isn’t an easy one, but it sure is remarkable for those who navigate the journey. Folks like Bello Pizzimenti.

Pizzimenti was born in Ferndale, and attended the Detroit Waldorf School where he performed his first plays. He later attended Cranbrook upper school, where he lived in residence throughout his high school years. While performing in the annual winter musical, he was discovered by a Canadian director who invited him to join an international production of Les Miserables in Windsor, Ontario. This proved to be the launching pad for his life and long road towards assuming the role of other identities on stage. After attending Western Michigan University, where he received his BFA in musical theatre, Pizzimenti chased his dreams to live in Harlem and pursue a career in the biggest city in the world.

Q: What are some of the more significant memories you hold on to from your time with “Les Mis,” in Windsor?
A: I remember the moment my high school choir teacher told me right after a performance that a director from Canada had been at our show, and that he was specifically interested in me for his production. That was very exciting. I remember the day of my audition for the show, which if I remember correctly was also my first day of rehearsal. We were essentially inside a storage space in a warehouse in Windsor. I thought I was just singing for the music director and the director, because they were the only ones in the room with me. What I didn’t know was that the two young men playing Enjolras and Javert were in the next room listening to me as well. I finished singing, and they came out with huge grins on their faces to greet me and welcome me to the cast. Shortly afterward the rest of the cast arrived, and we started rehearsing.

Most importantly, I remember the friendships. Some of the best times of my life were had that Summer, and in the following years during my regular trips to Windsor. I had a sense of belonging and a sense of self-confidence that I had not had before. It was the summer that made me feel that a professional life in theatre was for me.

Q: What was one of the best and worst moments from your time in Harlem pursuing acting after undergrad?
A: Some of the best: Being cast in a workshop performance of Tectonic Theater Project’s adaptation of Carmen. I got to work with Moises Kaufman and the rest of the team, as well as a powerhouse cast of performers. We presented at the Guggunheim, and when one of the other performers had to go to the hospital the day of the performance, I stepped in on short notice to cover his solos. Moises was impressed by me and I was subsequently called back several times for a full production of the show, though I was ultimately not cast.

And, performing in my only NYC-based full-length professional play, BACK by Mickey Bolmer. As a cast we were encouraged to explore and to have fun, and I found myself feeling very free, loving, and open as a result. It was a professional experience in which I could truly say that I enjoyed the process.

Some of the worst: Botching several of my opportunities with Tectonic, and subsequently being called in for them less and less often. Feeling that I did not live up to the potential that Moses saw in me. Accidentally not learning the entire musical cut required for an audition, leading to a very embarrassing situation for everyone in the room. Dealing with contracts and/or offers that conflict with each other. I’ve probably gotten stomach ulcers panicking about these situations over the years.

Q: What drives your passion for acting?
A: These days, I don’t know. I used to be in it for fun. Then I was in it for success, recognition and money. Now I’m in it because it’s the only skill I have that people are nice enough to pay me for.

Q: Tell us about Chasing the Star…
A: It’s an independent film by Collective Development Inc., a Michigan-based film company I first worked for during my senior year in undergrad. We shot it in the desert of Yuma, AZ, which was awesome because it was my first time getting to go to a very specific environment for a shoot. It made it feel much more authentic for me as an actor, and I think it makes the film much more authentic feeling as well. Plotwise, it’s the story of the Three Magi essentially. There isn’t a ton of source material on their backstory (to my knowledge), so a lot of the circumstances come from the imagination of the writer, which is all to the good as it makes the three men much more human. They are all flawed, and have to reconcile their past over the course of the story. I play the youngest Magi of the three, Gasper.

Q: What’s next for you?
A: Who knows? Best-case scenario is I stay honest with myself and listen to my gut, intuition, whatever you want to call it. Maybe I’ll end up in a rock quarry. Maybe I’ll just read books and hide from the world. Maybe I’ll keep acting. Maybe I’ll find something else. Hopefully, I’ll be there when and if people need me.

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By Rebecca Hammond

FERNDALE MONARCH PROJECT: This is the Project’s third summer and, according to the experts at Point Pelee, the area just experienced an “egg dump,” which they describe as female monarchs finally finding milkweed plants and dumping many eggs per plant or stand of plants. The previous two summers I found a total of 42 eggs. This July I found maybe 225 in about two weeks, twelve eggs on one small plant alone, all nearby. Numbers seem up everywhere in the region, and I hope that so many people in our area planting hundreds of milkweeds contributed to our own noticeable upswing. Monarchs are easy to raise indoors, and the survival rate is so much higher than outside, it’s worth the small effort. A few dozen members of our group adopted eggs and, as I type this, those eggs, having hatched into caterpillars two weeks or so ago, are now pupating, and will each be a chrysalis over the next ten days to two weeks.

Children at the Ferndale Area District Library watched eggs found right on Library milkweed hatch into caterpillars, and those caterpillars pupate. The timing of the monarch butterflies emerging couldn’t have been better, with story hours on two different mornings ending up the right time to release butterflies into the courtyard. Thirty-nine viable monarch eggs have been found so far this summer in the Library’s butterfly garden (and some eggs that spiders or ants had already partially eaten). A lone black swallowtail caterpillar was found on a library dill plant, and after being in the chrysalis phase for about three weeks, emerged and was released.

How can you tell if a monarch egg is viable? It will look opaquely white, maybe yellowish white. The eggshell may remain stuck to the leaf if a predator like a spider or earwig ate the contents, but it will look smaller, more transparent, and more iridescent. Tiny drops of “milk” that seep from a leaf and harden may fool you at first into thinking you found eggs, but they’re too round, not ridged and pointed like a real egg. By the way, moths spin cocoons; butterflies pupate into chrysalides. The larva of a moth is hidden beneath silk; when you look at a chrysalis, you’re looking at the butter-fly pupa.

Any monarch you see by the time Ferndale Friends arrives at your door is beefing up for a flight (hope-fully) all the way to Mexico. Most of the butterflies you’ve seen this summer lived for four-six weeks, and likely reproduced, but not any you may see from mid-August on. They’ll live for as long as seven or eight months, and need to feed on flower nectar to make a very long, amazing flight. Consider planting some goldenrod and asters. Late-blooming flowers are travel food for monarch butterflies.

While area residents have pitched in and planted milkweed for over two years, the enthusiasm for adopting eggs and caterpillars has been enormous and touching. And while some who adopted have found the individuality of caterpillars surprisingly nerve-wracking (as I experienced myself at first), as many have reported enjoying the process greatly, and seeing it as a more enjoyable way to educate their children than reading them a book on the subject.

BACKYARD HABITAT NEWS: This is a prime year for watching baby birds, with a first for me:watching a male cardinal feed a cowbird fledgling. Cowbirds lay eggs in other birds’ nests, leaving the raising of the chick to the other species. Seems like the usual number is one, but cowbirds have been observed clearing a nest of every egg before laying their own. While the cardinal feeding the begging cowchick had a certain appeal, watching the great-er number of parents feed their true offspring i
is better. We’ve had maybe three nests of chickadees, one of tufted titmice, there are perhaps two families of cardinals exploring right now, young wrens are still out back, having hatched at least a month ago, and neighbors Tom and Evelyn Elster watched Baltimore Orioles raise a family in their unique, pouch-type nest, as well as a family of red-bellied woodpeckers high in a silver maple. Our big trees allow for bigger birds like those. A great blue heron took off from my roof recently, and swooped down the street in its prehistoric way. They find our backyard ponds, but I hadn’t seen any for the last few years. Once one spent winter days in my yard, standing asleep on one leg, that leg barely fitting through the hole made by the electric deicer. If a great blue heron is in your yard and isn’t moving, you may never notice it, they blend in so well. Naturalizing your yard with plants is like setting up a movie screen of nonstop nature viewing.

LINE FIVE: Maybe the time has come to relieve ourselves of a responsibility we accepted in a different era, and hand the problem of getting oil from Canada to Canada back to Canada. While cutting back on America’s massive oil use has to be a prerequisite to the shutdown of pipelines, or stopping new ones, Michigan accepts the risk of the Enbridge Line Five pipeline while not even getting the use of the oil.

The Dakota Access Pipeline, fought so bravely for so long, ends in Illinois. It’s supplying people like us. Line Five is not. And it doesn’t just threaten the Straits of Mackinac. It travels down the Lake Michigan coast in the UP, and it crosses under the Au Sable and St. Clair Rivers, and every river from Mackinaw City to Sarnia, Ontario.

DON’T MAKE ME COME DOWN THERE DEPT: It’s nice to see usable items placed at the street before garbage pickup so we can all help ourselves, but if it’s not gone by pickup time, how about donating it? Our oddly-named landfills (they’re really garbage heaps) are full of usable items and recyclable materials.

Rebecca Hammond lives in Ferndale and loves her folding bike.

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By: Jeff Milo, Circulation Specialist

ECLIPSE VIEWING PARTY
The Ferndale Library will be a prime place to experience the big solar eclipse happening on Mon., Aug. 21, where kids and families can join in space and science themed activities, and get a hold of a special pair of glasses to safely observe this cosmic phenomenon. The party will get started at 1:00 P.M., just a bit before the eclipse begins.

There will be space-themed treats from Treat Dreams, celestial themed henna, other fun activities, and viewers on hand so that patrons can see this spectacular event safely. Re-member that the sun’s rays can be damaging to the eyes, so the Fern-dale Library’s supply of special glasses will protect everyone’s eyes as we gaze upward.

MAD HATTER’S TEA PARTY
Hosted by and for the Friends of the Ferndale Library. Current and prospective members of the Friends of the Ferndale Library are invited on August 26 to fall down the rabbit hole into the library court-yard where music, hors d’oeuvres, henna artists, flamingo croquet and lots of surprises await. This Mad Hatter’s themed party features a cash bar with signature craft cocktails by Valentine Vodka and more. This will be a fun and funky celebration of the Ferndale library and the classic Alice in Wonderland novels by author Lewis Carroll.

Admission to the Mad Hatter Party is free for current Friends members, and new members can join online for only $20. The Ferndale Area District :Library is located at 222 E. 9 Mile Rd. Please join us for literary fun, meeting fellow book lovers, and dancing under the stars. There will be excellent photo opportunities at the Mad Hatter’s Tea Party, so wear a hat, any hat, to fit right in among your wonderland Friends.

DIY STREET FAIR
Ferndale’s favorite arts, crafts & music festival is Sept 22-24 and the Library will be open, despite losing one of our parking lots. But we hope to get as many visitors as we can on Saturday the 23rd, because we’re hosting an “Instrument Petting Zoo” for kids, featuring the instructors from local music education nonprofit Girls Rock Detroit.

FIRST STOP FRIDAY
We’ll be ramping our bi-monthly lo-cal music showcase series back up in October. We want to take this opportunity to send out three thank-yous, regarding our best-attended Summer Concert Series ever: to the Friends of the Ferndale Library (for their support), to the bands (for perform-ing) and to all of our patrons (for coming out to enjoy the shows). Very soon, we’ll begin booking bands for First Stop Friday concerts in October, December, February and beyond.

HIGH SCHOOL BOOK CLUB
Youth Services Librarians are planning a book club for high school- age readers. We have a handful of clubs for grade school readers, but a new monthly rotation of book discussions for teens is coming soon.
Stay tuned.

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By Jeannie Davis

THE LAST FRIDAY IN JULY CAME AND WENT QUIETLY. Not so in the past, when our annual Pub Crawl filled our streets with dedicated, organized drinkers, intent on hitting at least half of the drinking establishments in our small town. A fun evening for everyone, as well as a fund-raiser for assorted non-profits over the years, the Pub Crawl trotted along for several years, before running out of steam last year. The reasons for its demise are varied, but a contributing factor is simply that people change.

Today’s young people don’t enjoy the same thing as yesterday’s young people. Things change, attitudes change, manners, fashions, fads, and accept-able behavior all change. Sometimes for the better, sometimes not.

We generally welcome the changes we make ourselves: New home, new car, clothes, re-decorations. All these things we have control of, and accept gladly. However, we struggle when things are changed for us. If you don’t believe me, read back to some of the remarks on Facebook with respect to the planned parking deck. We know we need it, yet we don’t want things to be different than they are now.

Yet when we consider that our entire lives are about change, why are we so resistant? We grow, educate ourselves (well, some of us do) , change our liv-ing statuses, make new friends, lose friends, forge relationships, lose relationships. Married, adjusted to living with someone, then, either through death or divorce, forced to adjust to living alone. All of this while our bodies are betraying us by aging, no longer able to do the things we did in our youths.

Some of us have endured more adjustments than others. Some have actually embraced new adventures in living, sought out things new and different to do. I find these people more flexible than the more settled folks.

A good example is Sharon, a new senior member who has lived all over the world with a government agency. She is adaptable, and open. I realize that this is not for everyone, and we can be happy and fulfilled living a life in one spot. There are several creative, enthusiastic seniors who have lived in ne place their entire lives. And yet, they have changed within themselves, learning, becoming passionate about one thing, then finding a different passion.

I have noticed within myself over the years, first, totally dedicated to making money, running a business, investing in real estate, whatever it took.

Then, retirement, and open heart surgery shifted my focus. A change was forced on me. My passion became travel, Greece, Italy, Paris… I got high just thinking about a trip.

I became bored with that, and shifted into more local kicks. Volunteering, Senior trips and meetings, political campaigns, Art Commission. I loved seeing events come from the idea stage to fruition, and worked my butt off making it happen.

And now, in my late 70s, I find myself focusing on the spiritual, working within the universe. Following spiritual leaders. Being present now. I am enjoying my one-on-one time with my seniors. Getting to know each of them individually.

So, I guess, we are constantly changing, and most of the time, it is for the better. Look at your life. So many things are nothing like they were at a younger age. Look at your attitude. I am sure you have mellowed, and don’t sweat the small stuff so much. I would hope that you are more confident, and enjoy interactions more. You are more open to change, and do not fear it so much.

This is the new “you.” This is a result of many minor and major changes in your life. Enjoy and revel in this person, but, be aware that, this too will change.

jeannie davis; 248-541-5888
Pub. Note: Ferndale has supposedly “needed” this parking structure for 25 years, yet for all that time we have somehow gotten by without it. In fact, Ferndale only keeps getting better and better! How can that be possible, if we need this thing so badly? Ferndale is great without a massive parking structure. We hope it will continue to be great after the construction mess is cleaned up and the cement is dry, because then it will be too late.

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By Rudy Serra

Q: “I AM 27-YEARS-OLD. Is it legal to date a 17-year-old as long as the parents are okay with it? I am freaking out because I don’t know if it’s legal, and Child Protective Services is coming to talk to them.”

Answer: The topic is more complicated than it may appear at first.

Sixteen is the age of consent for sex in Michigan. Under the law, any person who is under 16 years of age is incapable of giving valid consent. As a result, any sexual contact with a person under 16 can be charged as a crime. A person who has reached their sixteenth birthday can consent to sex. Unfortunately, that’s not the end of the answer.

Between 16 and 18 is an especially precarious time. A person who is 16 can agree to have sex, but they cannot validly sign a contract. They are still not an “adult.” They are legally a minor.

If you use a computer, phone or an-other electronic device to communicate with a 16 or 17-year-old, you may commit “child sexually abusive activity” without ever even meeting. Taking or sending photographs, for example, would be a felony even if the model is over 16 (when sex is legal) but under 18. No person under 18 can agree to be in pictures, movies or on a phone or computer without parental authorization.

The word “date” is vague. If “dating” does not include any physical contact (even through clothing), then you could “date” a 15-year-old legally. The problem is that the slightest sexual touching could break the law. Areas of the body such as the breasts, inner thigh, buttocks and other reproductive or excretory parts are strictly off limits.

The fact that the parents do not object, of course, makes it less likely that they will agitate the police to take action. Either way, it is best to stick with 18 or over to avoid a potentially life-altering prosecution.

JUDGE RUDY REPORTS is a regular feature in Ferndale Friends. We welcomes questions from readers. If you have a legal question or concern, send your question by email to rudy.serra@sbcglobal.net. Advice about specific cases cannot be provided but general legal questions and topics are welcome.

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By Sarah Liekweg

Dr. BEN DANTZER: Class of 1999

DR. BEN DANTZER HAS BEEN all around the world researching animals and ecology, but his journey began right here in Ferndale at Washington Elementary, now the Kulick Center.

“I was lucky to experience many excellent and passionate teachers throughout Ferndale
Schools that definitely shaped my career development,” said Dantzer.

A 1999 Ferndale High School alumnus, Ben graduated from Michigan State University in 2012 with a dual-degree Ph.D. in Zoology as well as Ecology, Evolutionary Biology, and Behavior. He then went on to serve as Director of Studies in Natural Sciences at Churchill College in Cambridge, England while completing his Postdoctoral fellowship at the University of Cambridge.

Ben is currently an Assistant Professor at the University of Michigan where he conducts research and teaches classes. His research addresses understanding the causes and consequences of variation in the characteristics of wild animals with a specific focus on understanding how early life experiences shape individuals and how wild animals can cope with changing environments.

“I always enjoyed my biology classes with Mr. Bancroft and Mr. Bassier at Ferndale High School. They were great teachers that were very dedicated and seemed to know some-thing about everything. It definitely fostered a strong sense of curiosity I had about the natural sciences, especially biology.”

This curiosity has taken Ben all over the world as an evolutionary biologist, studying animals in the Yukon, Canada, and South Africa. When he looks back at his experiences with Ferndale Public Schools he sees them as being incredibly important in shaping who he is and what he cares about. Ben recognizes that the diversity Ferndale Schools fosters has greatly impacted his career, and he thinks it would impact anyone positively in any chosen field.

Story by Sara E Teller
Photos by Roche Photo Collective

THE AXLE BREWING CO. HAS BEEN BREWING, CANNING AND DISTRIBUTING THEIR CRAFT BEERS IN MICHIGAN SINCE SEPTEMBER 2015. Axle Brewing President Dan Riley (a Detroit native with over 20 years of experience in the media industry), along with his partners, sought to create a destination that would
embrace the neighborhood and elevate the typical craft brewery experience.

The company “began looking for the perfect spot for their public taproom shortly after,” according to Axle’s social media and marketing guru Jill Giacomino. Dan spotted a location on Livernois while doing one of his favorite things – biking riding from Ferndale to Downtown Detroit – and the rest is history, as they say.

Livernois Tap was established at 567 Livernois St and opened for business on June 3rd, acting as a family-friendly communal gather-ing space where patrons can enjoy a wide variety of craft beers and inspired beer food against a backdrop of great conversation and hand-selected tunes. “The space is our modern American interpretation of a classic European beer hall,” according to Jill. “It includes a sprawling outdoor beer garden, 30-seat bar, dining room, brewery, and the team’s offices.”

Livernois Tap’s menu includes specialty creations from Grey Ghost Detroit, a group of culinary experts committed to the art of butchery, refinement of crafting cocktails and unparalleled hospitality. The name stems from a notorious rum-running pirate fleet on the Detroit River during the prohibition era, members of which were never identified. The culinary copy includes food enthusiasts John Vermliglio, David Vermiglio, Joe Giacomino and Will Lee.

The Tap’s menu features over twenty items that pair perfectly with its extensive beer collection. Signature dishes include an eclectic mix of buffalo fried green tomatoes, a fried bologna corn dog and chicken shawarma wings. Guests can also enjoy a beer float in the restaurant’s porter. Weekend brunch is available on Saturday and Sundays from 11:00-2:00 PM, and includes a rotating selection of quiche bites, toaster strudel and other favorites along with a fleet of beer cocktails, of course, including a Shandy with our Noble Ghost and citrus oil. On the kid’s menu parents will find grilled cheese, popcorn chicken, mac ‘n cheese and corn dogs, along with a root beer float, cookies and pudding.

“The menu is currently being executed day-to-day by our Executive Chef, Elliot Patti,” Giacomino explains. Raised on the island of Maui in Hawaii, Patti graduated from the California School of Culinary Arts with a Diploma in Culinary Arts and certified in Le Cordon Bleu method of cooking. He was then fortunate enough to complete his externship training at Wolfgang Puck’s Spago in the Four Seasons Resort in Wailea, Maui before relocating first to Los Angeles, then the Detroit area.

Livernois Tap prides itself on being family-friendly, catering to a wide range of restaurant-goers. “Our customer base is wide!” Giacomino exclaims. “We see families from the neighborhood, locals from Detroit, neighbors from University District and Green Acres, business people, bikers, and everything in between. We are very proud of the inclusive environment we’ve created and thrilled how the community has embraced us.”
The restaurant’s music selection is a combination of tunes selected by staff and those requested by guests. “Our team is comprised of huge music fans (okay, nerds),” Giacomino admits. “While we don’t have live music, we do feature curated playlists nightly of our favorite songs and requests from our friends and guests. We also feature themed nights such as ‘Throwback Thursday’ and ‘Soul Sunday’.”

Livernois Tap has already hosted a number of corporate events and social gatherings since its inception, Giacomino said, “We’re also planning to host group bike rides, yoga and other programming in the future. And of course, look for news about our inaugural Oktoberfest coming soon.”