Story by Jeff Milo
Photo courtesy of Blue Black Hours
The first weekend of March brings us the third annual Hamtramck Music Festival, a four-day celebration of local music with several unique venues and bars hosting lineups of live performances, featuring more than 150 bands. (www.hamtramckmusicfestival.com)
There can be a lot to choose from, but Ferndale Friends picked power trio Blue Black Hours for their potent and enthralling live presentation, creating atmosphere around the vibe of their signature rock sound with optimized lighting effects, haunting fog and trippy video projections.
Blue Black Hours defy concrete categorization, blending the wavy haze of psychedelia to the muscular thrum of proto-metal and the sludgier, swirlier and sometimes supernatural sensibilities of ‘70s rock. Not pop. Not garage. Very much their own thing.
Blue Black Hours features John “Spurzo” Spurrier on vocals/bass, Scott Lyon on guitar, and Ken Blaznek on drums. Lyon and Spurrier have been playing music together for more than 20 years, pairing with various drummers as the band has evolved. Ken Blaznek joined the band earlier in 2015. Blue Black Hours officially formed in 2005.
“Though we have many varied musical influences,” Spurrier noted, “we never set out to play any particular style or genre. Instead, we would play a lot of improvisational jams and structure our sound around what comes naturally from there. When it comes to writing, we prefer to be in the moment, letting the inspiration flow and acting as conduits for how the song would want to be created. With the music, lyrics and overall vibe, we always had a vision of connecting or reconnecting with an “otherworldly” realm.”
Now, the band has dropped a few names online through their Facebook and Bandcamp pages just to give listeners a reference point: Hawkind, The Doors, Black Sabbath. But it’s better to infer that BBH are conjuring the spirit or the energies of those bands, affecting an ethereal sense of escape or transcendence through a delicate storm of reverb and distortion, often surging or swelling their collective sounds into some kind of aural vortex (the fog is quite evocatively apt for this mad metaphor I’m cooking,) to where the music, the tones, timbres and tight percussion, start to seem as though they’re enveloping the audience (or listener.)
Perhaps you could just picture those blue, black hours, a time of evening darker and more foreboding than twilight and yet also something as spurring or enticing as that gossamer glimmer of pre-dawn light, sparking some sense of the celestial right here on earth, optimally past sunset, now…that…is part of the essence of BBH’s brew of rock. (Telling song titles include Darkness To Light and Sunlight and Dust.)
“That prog or psych genre label seems to tie in with an ‘otherworldly’ vibe, which we are naturally drawn to,” Spurrier said. “Most prog or psych tends to be ‘above the belt’ music, whereas most straight-up rock ‘n’ roll tends to be ‘below the belt.’ We’re fans of both sides of the proverbial ‘rock belt,’ therefore, we play rock ‘n’ roll that covers the whole body. We have the dark, gritty sound of the oil and graveled streets of the city in our music, but with the serene nature of the woods and rivers of the Upper Peninsula in there, too.”
You can wind up tumbling down an Internet rabbit-hole, through message boards and blogs, when it comes to debates or postulations over where a certain band fits, genre-wise. For BBH, it’s more about forging a composite vibe utilizing several of rock’s more sublime elements to hone an optimally transportive experience. BBH co-produced their self-titled full length with Jesse Wozniak in 2012 and began gaining more momentum, locally, since then. It wasn’t until 2014 that they properly released Blue Black Hours. At that same time, they put out a sensational EP titled Sunlight and Dust. Both are currently only available on BBH’s bandcamp: https://blueblackhours.bandcamp.com/
The band said that they are planning to get back into the studio to record the third album soon. Also in the near future, Blue Black Hours and Sunlight and Dust will be available on CD (again) as well as cassette. The two recordings have started bending a few ears toward their direction, some locally, but some internationally. “We plan on doing some touring soon and hopefully hit Europe, where it seems we’re getting some good recognition.”
Meanwhile, close to home, “We are excited to play the Hamtramck Music Festival,” said Spurrier. “We’re glad this is going back to the tradition of what was once known as ‘The Blowout!’ This will also be our first show back with our new drummer, Ken Blaznek, at Paychecks Lounge, on March 5 (a Saturday).”
You can find official set times and the full lineup here: http://hamtramckmusicfestival.com Highlight Paycheck’s Lounge, however, as that’s where you can hear (and see) BBH.
After ten years, Spurrier looks back on he and Lyon’s adventures as “…a series of very interesting inspirations and synchronicities. Honestly, this musical journey would make for a very interesting biography, someday… Really, we were brought together by what would seem to be a sort of divine intervention.
More info:
https://blueblackhours.bandcamp.com/
http://facebook.com/blueblackhours
http://hamtramckmusicfestival.com
If some happened with our heartiness, we believe there is a solution to any maladies in a medicament. What medicines do patients purchase online? Viagra which is used to treat emasculation and other states connected to erectile dysfunction. Learn more about “sildenafil“. What people talk about “viagra stories“? The most vital aspect you must look for is “sildenafil citrate“. Such problems commonly signal other problems: low libido or erectile dysfunction can be the symptom a strong heartiness problem such as core trouble. Causes of sexual disfunction turn on injury to the penis. Chronic disease, several medicaments, and a condition called Peyronie’s disease can also cause sexual dysfunction. Even though this medicine is not for use in women, it is not known whether this curing passes into breast milk.



D.B. Schroeder, Producing Artistic Director of the Puzzle Piece Theatre, stood nearby, watching this exercise designed to get everyone in synch. In just a few weeks, the three actors will become robots in a modern, steampunk-inspired staging of a 96-year old groundbreaking science fiction play by Czech writer Karel Capek; Rossum’s Universal Robots, or R.U.R. for short. How groundbreaking? Among other things, this is the very work that gave the word robot to the world’s lexicon. Rossum’s Universal Robots is Puzzle Piece’s largest and most ambitious production to date, featuring ten actors. Schroeder calls it a “cautionary tale” that examines many of the same themes of overreliance on technology, dehumanization, and the human cost of progress that its film contemporary, Fritz Lang’s Metropolis, explored.
Puzzle Piece was on its way, but they remained nomadic for the first few years. Based in Mt. Clemens for the first season (two shows,) then the Abreact in Detroit for the following season, both of these early venues closed, forcing them to keep moving. But then, “Bailey Boudreau (Artistic Director of the Slipstream Theatre Initiative) approached us when they found this venue in Ferndale, and asked if we’d like to be in residence here.” During Slipstream’s down time, Puzzle Piece rents the venue and puts on their plays. “I think it’s a great match, because they focus on reimagining the classics, and we skew more contemporary.”
Puzzle Piece has also performed such diverse works as Matthew Osman’s The Boy Who Cried, a meditation on mental illness and depression presented as the interrogation and trial of a boy accused of being a werewolf; Tennessee Williams’ The Glass Menagerie, exploring the reactions of those left behind when people flee an area, and Lanford Wilson’s Talley’s Folly, about two outsiders finding their shared value together.
Club member Jean Russell told about a Ferndale Seniors trip to the Rouge plant, part of the tour being a view and explanation of the plant’s huge green roof, a many-acres version of our library’s roof. Jean pointed out something about most of our own good intentions: We live near these wonderful places but often don’t visit them. She noticed more out-of-towners than locals, the foreign languages of auto show attendees being noticeable. The group tends the community garden at our north end of Livernois on Oakridge. If you haven’t strolled through there, take a wander at any time of year. I’m always fascinated by the variety of ground covers.
Just what is anarchism? You might picture bomb-tossers in silent films, but in Werbe’s words, it is a “Utopian sense that society could move beyond its negative aspects: violence, war, poverty. The Spanish and Italians talked about ‘the ideal.’ Anarchism is a personal code of conduct to uphold while you’re trying to bring about a different society. Neither side of the current political groups are very admirable.”
“I couldn’t even imagine being fifty years older.” Werbe says with a chuckle. Still, he has his eyes on the future. “We’re looking for the next generation… writers to help continue the magazine’s publication for the next 50 years, and also to expand its readership.”

As the director of the band, I believe that Ferndale should have a community-based music school that would offer music education focused on adults that would include not only the Ferndale Community Concert Band, but a community orchestra, jazz band, and chorus. Even more important, it would include the New Horizons International Music model. New Horizons Music programs provide entry points to music making for adults, including those with no musical experience at all. Many adults would like an opportunity to learn music in a group setting similar to that offered in schools, but the last entry point in most cases was elementary school. This model is highly successful and is used worldwide. Having a program like this would allow all adults to be involved in the arts!










